they say it's worth a thousand words
the faded photographs of all the years gone past
caught in a time and always blurred
i'm slowly faded i'm suffocated
well i know i'm in a race that has no finish line
and i'm force fed these decisions how to spend my time
so i hold my head up high and do the best i can
cause they'll be no one to judge me in the end
i'll plead my case
i'm my only saving grace
while this world spins around in circles
it's not too late
try to keep myself in place
while this world spins around in circles
my memories have come unglued
between an empty place and a forgotten face
scattered and out of things to do
self deprecated i'm suffocated
i'm holding steady on the course that kept me true
no confrontation with the demons i once knew
i raise my glass and toast the things that pull me through
i remember who i am in spite of you
i'll plead my case
i'm my only saving grace
while this world spins around in circles
it's not too late
try to keep myself in place
while this world spins around in circles
supported by 7 fans who also own “No One To Judge Me”
That album felt like coming home after a long time away but still being proud of everything I'd seen while I was gone. One minute and twenty seven seconds into "Kenver" feels like the culmination of everything I've loved about this band since I was a kid. It feels like the best parts of freedom I've felt on the best nights of my life. Scott
Re-live the rip-roaring, hooky-as-hell punk rock of The Hissyfits with this new collection, which compiles their first two cassettes. Bandcamp New & Notable Apr 30, 2024
Rising Philadelphia band balance oversized pop punk hooks with vivid, intimate lyrics, presenting a raw, honest vision of guitar music. Bandcamp New & Notable Mar 30, 2022
Buoyant one-off release from a long-running Atlanta band who juggle garage rock, folk, and power pop; don't miss the Mark Morrison cover. Bandcamp New & Notable Feb 9, 2024
supported by 6 fans who also own “No One To Judge Me”
This album is next level for HP2. From the metal guitars of Big Energy to the jazzy sounds of N.B.T.S. it's all over the place musicly. Yet at the same time a cohesive collection that is uniquely Half Past Two. The production quality is also top notch, from the clarity of the recording to the mix the let's all of the performances shine. Erik Aasness